Reviewed by Margaret Donsbach Tomlinson
The settings of the fourteen short stories in Astray range from a Puritan colony in 1639 New England to a retirement home in 1967 Ontario, with most clustered in the nineteenth century. All have something to do with migrations: an Irish woman following her husband to America after the potato famine years, inexperienced prospectors seeking gold in the Yukon, a child sent west on an "orphan train," a slave and his master's wife fleeing together after a murder. In many of the stories, the characters' displacement has less to do with geography than with the inner terrain of disrupted assumptions and expectations: a child realizes her parents are not who she thought they were, a young mercenary discovers what he has become capable of while fighting someone else's war far from his homeland. Brief notes after each story describe its historical underpinnings; it's often startling to discover that the situations which seem to stretch the bounds of credibility the farthest are actually grounded in fact.
Historical fiction sometimes seems to demand length to help readers understand an earlier time's customs and habits of thought. Donoghue's stories are short, plunging readers into their settings with strikingly apt snatches of description, like snow that is "bright as children's teeth and squeaks underfoot." Astray drops us into the middle of the characters' lives, relying on the reader's intelligence to suss out motivations and situations - most of the characters have made a conscious decision to migrate, but feel as though the earth is shifting beneath them in ways they could not anticipate. Many of the stories are humorous and heartbreaking at the same time, and many are about the tragic muddles people make of their lives while they imagine they are striving for something better. People still do this all too often. (2012; 271 pages)More about Astray at Powell's Books or Amazon.com